Coco Chanel was a woman of many isms. “Luxury must be comfortable.” “Fashion fades, style remains.” “Simplicity is the keynote of elegance.” Decades after her death, her words circulate endlessly on mood boards, Pinterest pins, and the walls of fashion students’ dorm rooms. For some, those quotes aren’t just slogans; they’re practically scripture. And since taking the reins last year, Matthieu Blazy has treated them as prompts in an ongoing conversation with the house’s founder, Coco Chanel.
For Fall 2026, the designer turned to one of Chanel’s more poetic reflections: “Fashion is both caterpillar and butterfly.” The idea of comfort by day, transformation by night became the conceptual thread running through the collection. Or as Blazy put it backstage, the house should offer “dresses that crawl and dresses that fly.”

Chanel Fall 2026 Ready-to-Wear. Courtesy of Chanel
The show opened firmly in caterpillar mode, with the familiar codes of Chanel tailoring. Tweed suits appeared early and often, but they didn’t feel museum-bound. Blazy loosened their structure and played with proportion: some jackets sharpened into traditional silhouettes, others softened into relaxed shapes that bordered on loungewear. Classic bouclé appeared alongside ribbed knits and intricate fabrics threaded with lurex and gauze, creating pieces that shimmered subtly as the models moved.
Silhouettes drifted through decades like a walk through the house archives. There were echoes of the loose, garçonne spirit of the 1920s—drop-waist dresses, low-slung belts, and skirts worn casually at the hip. Then came the polished discipline of the 1950s, followed by the graphic clarity of the 1960s. Yet nothing felt like a literal reproduction.

Chanel Fall 2026 Ready-to-Wear. Courtesy of Chanel
The Chanel suit, which is arguably the most recognizable garment in fashion, served as the collection’s central canvas. Blazy reshaped it in unexpected ways: the signature round-collar jacket became work shirts and masculine-coded blousons, while pressed tweed appeared in relaxed bombers that carried the same easy energy as the half-zip sweater the designer wore for his final bow. It was a reminder that Chanel’s original revolution—borrowing from menswear and everyday workwear—still has room to evolve.
Gradually, the butterfly emerged. As the show moved toward evening, fabrics turned more fluid and iridescent. Cascading drop-waist dresses and elongated coats glided down the runway in colors that grew richer. Embellishment caught the light with every step—feathered floral brooches, ribbons trailing behind the body, and metallic threads woven through tweeds.

Chanel Fall 2026 Ready-to-Wear. Courtesy of Chanel
Accessories leaned into the house’s playful side. Bags ranged from practical suede flap styles to eccentric novelties, including pomegranate-shaped minaudières and plush maxi flaps that looked like couture stuffed animals. Blazy even created a hybrid quilted bag combining details from Chanel’s two most iconic designs—the original 2.55 and Karl Lagerfeld’s 11.12—collapsing decades of house history into a single object.
Shoes, meanwhile, revisited Blazy’s already sold-out two-tone pumps, reworked this season as sleek mules and second-skin boots, serving as an early reminder of how quickly his designs move from runway to real life. Considering that pieces from his Spring 2026 collection have already been flying off the shelves, with lines forming outside Chanel boutiques around the world, it’s safe to assume Fall 2026 will follow the same trajectory.
Scroll down to discover some of our favorite looks from the collection.

Chanel Fall 2026 Ready-to-Wear. Courtesy of Chanel

Chanel Fall 2026 Ready-to-Wear. Courtesy of Chanel

Chanel Fall 2026 Ready-to-Wear. Courtesy of Chanel

Chanel Fall 2026 Ready-to-Wear. Courtesy of Chanel

Chanel Fall 2026 Ready-to-Wear. Courtesy of Chanel

Chanel Fall 2026 Ready-to-Wear. Courtesy of Chanel