Keeping up with Egypt’s rap scene is no easy feat. One day, an artist is on top, and the next, a newcomer drops an unexpected bop that takes over the spotlight. So far, heavyweights like Wegz, Marwan Moussa, and Afroto have dominated the game, but in a scene as fast-paced as Masr’s, even the most established artists have to keep an eye on rising talents. One name to watch? Cairo-born, raised, and based rapper Ilmond.
While we may be tempted to call him a newcomer, the truth is that he’s no stranger to the industry, as since 2017, he has been one of the loudest voices in Egypt’s rap scene—minus his year-long break between 2022 and 2023. The Egyptian wordsmith built himself a cult following for his relatable lyrics, life-inspired verses, and moody beats that easily click with his listeners. Sometimes tough and full of confidence, other times raw and vulnerable, the 21-year-old has an unmistakable talent for turning his own life and experiences into something universally relatable— and his 700K monthly listeners on Spotify would certainly agree.
Since his comeback last year, Ilmond has been on a roll, churning out music at an enviable pace. Still, every release always hits the mark and gets people talking. In less than two years, he dropped two albums, Bye and Ya Kahera— which both came out in 2023— alongside a slew of singles, positioning him as a heavyweight in Egypt’s rap scene— and he’s not showing any signs of slowing down.
Recently, the Egyptian lyricist released his third studio album. Dubbed Intifada, the nine-track-long project easily serves as one of his most raw yet, diving deep into every corner of who he is, and sending “a bold statement of defiance and a declaration of independence” to a society that often overlooks the struggles of everyday people. With only one feature, from fellow Egyptian rapper MOUSV, Intifada pulls the curtain back on many hidden facets of life, giving listeners a personal glimpse into the man behind the music.
In celebration of his recent release, MILLE caught up with Ilmond for a quick Q&A. From how he sees music to how he would define his own, below, seven questions we asked Ilmond, Egypt’s hardest-working rapper.
How would you describe the sound and style of music you make?
It’s tough to box it in. My sound is raw, emotional, and constantly shifting. It’s not about perfection—it’s about keeping it real. The cracks and flaws in my voice are intentional; they’re a part of the honesty I’m trying to convey. It’s messy, it’s vulnerable, and it’s true to life.
Your press release mentions themes like freedom, rebellion, and anger in your latest release. What connects these themes for you, and how do they reflect your personal experiences or worldview?
I’ve had a lot taken from me—things I deserved but never got. This release is about reclaiming what’s mine. It’s me deciding to write my own story, on my terms.
Where do you see this album fitting into your career trajectory? Is it a turning point, or a continuation of your previous work?
The album’s title says it all. I was confined, now I’m free. Free to be who I am, to express exactly what I want, without anyone telling me otherwise.
How has your sound evolved from your earlier releases to this new album? Were there any specific influences or experiences that shaped this change?
Before, I let my emotions guide the music—whatever I was feeling would drive the sound. Now, I have control. It’s me shaping the emotions, not the other way around.
Artists often take breaks between releases, but you’ve put out two albums last year alone. What inspired you to return with new music so quickly? And with such a prolific output, could you tell us how you stay inspired?
I don’t force anything. I don’t set aside “studio time” or follow a schedule. I let the music flow naturally. When it’s ready to come out, it does. The inspiration is always there, waiting.
What are your main goals or ambitions with this release? Is there a message or impact you’re hoping to achieve?
No hidden messages or grand statements. This is me, unfiltered. People can take it however they want. Whether they get it or not doesn’t really matter. I’m just being real, staying true to who I am.
Looking ahead, do you see yourself experimenting with new genres or themes in the future, or do you feel strongly rooted in your current space and sound?
Genres are boxes, and I don’t believe in being boxed in. My sound will always evolve because I’m not tied to any label or category. I just make what feels right in the moment.
