The hotly-anticipated second edition of the Diriyah Contemporary Art Biennale, aptly titled “After Rain,” curated by the renowned Ute Meta Bauer kicked off in Riyadh on Monday, bringing with it a mesmerizing tableau of installations, performances, and dialogues that challenge, provoke, and inspire. Nestled within the historic town of Diriyah, more precisely at JAX District, the three-month long exhibition is a first-hand exploration of art’s transformative power amidst a rapidly evolving societal landscape.
Running until May 24, the biennale, which launched in 2022, features works by artists hailing from the Kingdom and beyond. “After Rain” delves deep into the intricate interplay between humanity and nature, with over 177 artworks showcased across six expansive halls and outdoor spaces spanning 12,900 square meters. From thought-provoking sculptures to immersive multimedia experiences, each piece “synchronizes with the great renaissance and the civilizational and developmental transformation that the Kingdom is experiencing, especially in the arts sector,” as The Diriyah Biennale Foundation’s CEO Aya Al-Bakree puts it.
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Among the highlights are 47 captivating commissions from visionary artists like Jumana Emil Abboud, Sara Abdu, and Mohammad AlFaraj, whose innovative works push the boundaries of artistic expression. Notable installations, including Tania Mouraud’s captivating roundabout spectacle and Mariah Lookman’s visionary project at Shamalat, redefine the very notion of public art. From shaded gathering spaces to communal kitchens and juice bars, every detail is meticulously designed to enhance the visitor’s journey and foster a sense of community and connection.
Beyond the visual spectacle, the Biennale’s “Biennale Encounters” series of public programs encompasses a series of thought-provoking artist talks, workshops, and performances, fostering meaningful connections between creators and audiences. Meanwhile, a dedicated black box theater hosts a rotating selection of films, while a curated area showcases the research and processes behind the exhibited artworks, which began last April under the title “Biennale Meeting Series.”
The legacy of “After Rain” extends far beyond its physical confines, with the “Learning Garden” serving as a digital extension of the Biennale, ensuring that its impact reverberates long after its doors close in May.
